what’s on
COMPOSER, MUSIC PRODUCER & DJ - COMBINING HER BACKGROUND IN CLASSICAL ART WITH HER LOVE FOR ELECTRONIC MUSIC AND WELLNESS, FOR DEEPLY MOVING YET MODERN SOUND EXPERIENCES.
TO BE SEEN (2025)
For Electronics
Premiered at The Royal College of Music, London (2025)
To Be Seen captures a deep and timeless bond between soulmates, a connection that cannot be described and feels as if you’ve known them for years beyond measure. It displays the power of falling into love, fully and without restriction.
Dreamscape (2025)
An Electronic Instillation for surround sound.
Composed and mixed by Gabrielle Dalsan.
Premiered at The Royal College of Music in February 2025.
My intention for ‘Dreamscape’ is to bring the audience into dreamwork. The performance was 30 minutes in length, produced in Logic Pro X, using vocal and narration recordings by Gabrielle. The work is designed to simulate a dream, pulling people into a slight trance, where they lose sense of time and space.
RAMBERT School of Contemporary Dance (2025)
Amongst What’s Fallen / A Tree On A Hill
For Electronics, Dancers and Musicians
Premiered at the RAMBERT School of Contemporary Dance, London (2025)
In collaboration with Margarida Gonçalves, Salvador Sanches and dancers from RAMBERT School of Contemporary Dance
Our work, Amongst What’s Fallen for four dancers, three musicians and electronics, was inspired by the idea of the struggle of nature within an urban setting.
On Fear (2025)
For Electronics and Explore Ensemble
Composed and Mixed by Gabrielle Dalsan
Premiered at The Royal College of Music, London (2025).
‘On Fear’ is a piece written for ensemble and electronics. Based on Krishna Murti’s speech on the subject of fear, along with his book titled ‘On Fear’, my composition was created to deliver the same message to an audience of people.
Wrzesien: SEQUENCE 8326 (2024)
For Electronics
released October 18, 2024
Composed and Mixed by Gabrielle Dalsan
Premiered in Poland (2024).
'Wrzesien: SEQUENCE 8326' explores the depths of the ocean, the unknown and mystic qualities that lay beneath the surface.
Inspired by the blue and green hues from the painting 'Wrzesien' by Niko Raik, an MA artist from the Royal College of Arts, London.
wings are mean’t to fly (2024)
For Voice and Electronics – audio track
Composed and Mixed by Gabrielle Dalsan
A contribution to the ‘Tapestry Concert: Stitched in Sound’ - The Royal College of Music (2024)
Song’s From Past Lives explores the timeless state of the voice and the old stories it carries. A voice can speak or sing tales from many moons ago.
Path to The Soul (2024)
For Electronics
Composed and Mixed by Gabrielle Dalsan
Premiered at The Royal College of Music, London (2024).
Path to The Soul explores the depths of silence, and the experiences that can arise through stillness and silence.
Lost & Found (2025)
For Saxophone and Electronics – audio track
Composed and Mixed by Gabrielle Dalsan
A contribution to the ‘Saxophone Showcase’ - The Royal College of Music (2025)
Lost & Found explores the timeless and ageless bond between soul mates. The deep connection that transcends time and the material world.
Carmine (2024)
For Dancers, Voice and Electronics – audio track
Composed and mixed by Gabrielle Dalsan
Premiered at The Wallace Collection - 2024
‘Carmine’ is a piece for voice and electronics written for a collaboration with dancers from the English National Ballet School for a performance at The Wallace Collection. Carmine is an expression of the frustration felt by women throughout major initiatory stages in womanhood.
euphoria (2024)
For Electronics and Quadraphonics
Composed and Mixed by Gabrielle Dalsan
Premiered at The Royal College of Music, London (2024).
Euphoria embodies the conflict between the loving conscious and the fearful unconscious (the difference between the awakened self, and the mind which is still in slumber, vulnerable to being pulled along by fear and desire).
ENQUIRE ABOUT AN EVENT
If you belong to a venue and would like an event held in your space, let us know through our form! We aim to respond within 5 working days.